1. How many sounds would you want on such a CD??
Hmmm .... how long is a piece of string?
2. How much would you pay for such a CD, given the fact that you could use as many sounds as many time as you'd liked on any project?
Hmmm .... the fact that the license would be non-exclusive is not necessarily a big selling point for me.
3. What sounds, ambiences, etc would you want on such a CD, feel free to list groups, types, genres and individual sounds.
Hmmm .... no cheesey sythesized crap, only wholesome organic noises and atmos. I tend to find that most capable filmmakers can cover their own buzz/wildtrack but sometimes come unstuck for close-mic'd/well recorded spot effects:
convincing screams
gunshots
animal noises
vehicle noises
hydraulics
explosions
bodily functions
since the limit of human hearing is generally regarded to be less than 20KHz, a 44.1KHz audiocd should still be useful for most indie filmmakers on a budget ....



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